Dear Poet: The 2-Day Poem Contest

The Rejection Project was temporarily back-burnered as three ongoing projects (that I can’t talk about yet) all hit at once. Wish for rain, get a storm. That doesn’t mean I’ve forgotten about this bit of motivation I’ve created for myself.

In fact, I’ve picked the first magazine I’m going to submit to: Contemporary Verse 2. CV2 holds the honour of being both in my classic, mail-in rejection pile and my more recent digital rejection pile—with a 14 year gap between.

I’m also breaking one of my rules right off the bat. (Poets. Not so good at rules.) I had said that I won’t pay to submit, and that’s still mostly true. However, CV2 hosts a yearly poetry contest/fundraiser called the 2-Day Poem Contest. They send you a list of ten words and you’ve got to write a poem using those words in 48 hours. The reason I’ll waive my no-cash rule for this is because…well, it’s fun. I’ve done it before (I’m still frustrated by the word furuncle) and I had a blast. I love an assignment. I enjoy writing to a theme. Give me a starting point and I can grow from there.

This rejection-themed challenge I’ve given myself exists because I know I like a framework. It’s something creators with ADHD often find helpful. It’s a way to push past the freeze. A starter pistol for our creativity. Plus I get a subscription with my entry, so that also helps with the project. I’ll be able to read a few issues. See what the current editors dig.

This likely wont be the first submission in The Rejection Project, because the contest doesn’t happen until April. I know it will happen, though, because I’ve already paid my entry fee. If I don’t pay it now, I’ll forget. Pre-planning is not my strong suit. It’s not even a whole suit. It’s just the cummerbund. A weak cummerbund.

So there you have it! Update #1 in The Rejection Project. Let me know if you dig contests, if you eschew them, if they inspire you, if they frustrate you. How do you find inspiration to write?

See you in the rejection pile!
H. E.

What Language Our Survival Speaks

Hello good folks (and auto-follow bots). What a noisy, quiet year. Noisy on the input, quiet on the output. Almost every writer I know or follow has spent some (most?) of 2021 living on the writer’s block. I am not immune. I’ve lived there, too.

Just as the year closed out, however, I finally felt that spark. It turned into this piece for the Spoonie Authors Network. Called Welcome to Disability (a House with Infinite Rooms), it’s my letter to the folks with long Covid who are just finding themselves in our ranks, though I think it can speak to anyone who exists in this space called Disabled.

I hope to have more to share soon. I hope you are well. I hope whatever it is you love to create is only hibernating in these wild times. I hope. I hope. I hope. Because I can’t fathom the alternative.

Buy Me a Coffee at ko-fi.com

Group Homes, Death, Myths, Madness, and Rediscovering Reading

Welp, it’s been a while since I updated my website. I’ve been busy surviving a whole, actual, ongoing pandemic. It’s a thing. You can probably relate. Since my last update, lots of works that were in the pipeline have come out, so with only…

this much…

further ado…

here they are!

Apparition Lit, the funky independent, speculative lit mag that published my flash piece Seeking Same a few years back, shared my new essay about rediscovering reading after being diagnosed with Covid. Called When We Lost Touch, it’s—at heart—a love letter to the literary community and anyone who is creating art in this impossible time.

Stone of Madness Press picked up my stream of consciousness poem, Familiar, that tries to explain/invite people in to a moment of cPTSD-related panic.

Anti-Heroin Chic shared my group home story-verse about the moment I realized the grass on the other side can be a pretty, green lie. You can read Untended here.

Like everything helmed by Chris Talbot-Heindl, All My Relations is a gorgeous, honest collection that spends time in the concepts of death and loss without losing sight of how delicate and necessary mourning can be. My piece, Death Is a Way to Come Home: Rituals for the Estranged, is a creative non-fiction essay that visits the ways I’ve learned to mourn my estranged family members.

Finally, the minison zine’s mythology themed 12th issue includes three of my pieces: heroes villains, my creation myth, and ra was the sun god. Each poems is made up entirely of lines that are also anagrams of the title. I like to give myself a challenge.

That’s all for now! Hopefully I can find the spoons to get back to writing and submitting soon.

Centring our creative community

This week, I’m giving a boost to a new anthology called It Gets Even Better: Stories of Queer Possibility. I backed their Kickstarter, so my copy just arrived in the mail! It’s full of speculative lit featuring all kinds of Queer stories. It takes Queer-friendly space literally and I love it. You can buy it as an eBook, paperback, or audio book here.

Buy Me a Coffee at ko-fi.com

Slowing Down, Catching Up

Welp, it’s been a few months since I’ve updated my website. Working retail—while disabled, middle aged, and mentally ill—means that November and December are the pit into which all my energy falls. During those months, I pause my writing by necessity. While this is tough (and sometimes makes me blue) it also gives me a chance to refill my creative coffers, rethink my output, and allow my fields of inspiration to lie fallow for a season.

In the meantime, I’ve had a few publications come out. I will be posting them for you as I catch up.

To start with, I’m really pleased to be contributing to the Spoonie Authors Network, sharing some of my thoughts about writing while managing spoons. My first piece, Writing Through the Depressive Lens, talks about the gradual process of embracing rather than fighting the way my neurodiversity informs my writing. The second, How to Zoom While Neurodivergent: So Not a Guide, examines how expected behaviours in virtual spaces can read like a list of neurotypical behaviors, making Zoom meetings inaccessible for neurodiverse creatives.

If you’re a disabled creator of any ilk, you’ll probably find something useful in the articles and podcasts up at Spoonie Authors Network. There’s also a weekly Twitter meet-up! It’s a fantastic resource and I’m chuffed to be a part of it.

CENTRING OUR CREATIVE COMMUNITY

While hanging out on Spoonie Twitter™, I heard about an anthology called Nothing Without Us that features short stories by disabled writers, including pieces by other Spoonie Author Network contributors. This collection is especially good for those days when your brain just can’t handle the commitment of a novel. From helper golems to talking canes to the trials of performing disability for cash in a near-future dystopia, the stories run the gamut of genres, styles and perspectives. Truly, one of my favourite books.

Buy Me a Coffee at ko-fi.com

Disenchanted

I was given the opportunity to voice Aunt Mae in the final episode of Mel Hartman’s brilliant exploration of haunted-house-horror as told through a young, neurodiverse, and queer lens. I encourage folks to listen to the whole series!

Disenchanted logo features a drawing of Lyra who is a teenager with short purple hair. They are in a dark house in front of a window, at night.

Here are a few platforms to listen on:

Centring our Creative Community

Starting today, whenever I post an update on this website, I’m going to boost another creator whose work deserves your eyes.

This week, it’s Vanessa Maki. She is a poet, writer, and visual artist whose work re-examines horror/popular culture — with a focus on film and television. To dive into her work, visit her LinkTree and follow her on Twitter and Instagram. You can also support her on Ko-Fi. At present, you can commission her to write a custom poem based on her curated list of horror/pop culture properties or purchase one of her existing chapbooks.

Buy Me a Coffee at ko-fi.com

Best of the Net

(CW: Mental illness, hospitalization)

I first wrote my poem, In Patient, while I was hospitalized because of debilitating symptoms that hit at my intersection of mental illnesses. The poem has lived on my computer for about 20 years, a small moment in a long relationship with my disability. Literary magazine Serotonin not only gave it a home, but they gave it a loving home. Now they’ve nominated it, along with 7 others, for the Best of the Net 2020. I’m heartened by the changing conversation around neurodiversity and mental illness and I’m grateful that my experiences are a part of it.

Words in a Storm

I’m still writing, still publishing. I’ve been overwhelmed, so I’ve been forgetting to post. ADHD/PTSD in a pandemic is a heckuva thing.

BUT! I’ve had a few things published recently.

My short non-fiction piece, All Ten Provinces and Both Territories, has been published in Flash Nonfiction Food: 91 Very Delicious, Very True, Very Short Stories by Woodhall Press. This essay recalls a time I traded something precious for something necessary. It’s also about how delicious pizza is when your belly is empty.

My poem, In Patient, is featured in litmag Serotonin. It’s an oldie, written about 20 years ago while I was an inpatient at a mental health facility. Challenges related to my mental health contributed to the long pause between writing and publishing this poem. Publishing isn’t accessible to neurodiverse and disabled people, in part because it wasn’t built for us. Indie publishers like Serotonin are creating spaces built for us, by us and because of that, pieces like this can find a home. I’m grateful for the small shifts, but it does make me want more change, bigger change.

I will try to post again soon. Until then, may you find the eye of the storm and take a deep breath.

Free to Use Colouring Sheets!

I took a class called The Psychology of Happiness. It was a fantastic course, but focused on neurotypical brains. For my final project, I created some of the tools we talked about, including colouring sheets, via a neurodiverse lens. I’m sharing them so families with kids who may not be looking for Elsa or Hot Wheels can use them while working and teaching from home. Enjoy!

To access the full sized image, click on the thumbnail!

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The End

by H. E. Casson
(CW: Religious extremism, environmental anxiety, mental illness, medication)

“Good morning.” I wave to my neighbour, a man who does not seem to have a job – or perhaps he just works as I do. Part time. Slip shod. Between depressions and times when my brain runs tickety-tock smooth.

He makes the inhale face that real smokers have mastered. It says that, despite what we have learned, smokers are cooler than the rest of us. He nods. He does not talk very often, just glimpses over the fence as we garden, or half smiles when his son plays.

“Morning.” He mutters, shifting the cigarette in his mouth.

“It’s a nice day.” I say, and it is. It is March and it is atypically temperate. Blue crocuses spot neighbourhood lawns, defying the nightly chill.

“Too nice. I guess this is the beginning of the end.” He says without humour.

I can feel my heartbeat in my neck. I try to count the beats to calm myself as I keep walking, now reduced to my own silent, nodded reply.

The beginning of the end. Did I bring my medication with me today? The little, white, powdery pill that dissolves on the tongue like old Popeye cigarettes and takes the panic with it?

I want the calm or, at very least, the numbing. I know if I think too long, if I linger on our warming planet and our disappearing resources, I will lose myself, maybe for weeks or months.

I pull the pill out of a small plastic container that is always in my bag and slide it under my tongue. I know that in fifteen minutes, the panic will start to fade and I will be able to work my job. I will be able to watch the children and smile and play and give no sign that I am imagining the end of the world while I prepare cheese and crackers.

The end of the world is not new to me.

I first met it in church, between choruses of hallelujah and bible verses memorized for pencils or candy. My earliest memories involve the end; films, humming through ancient projectors, showing flames and death, dragons and monsters, chasing us because we did not love god properly. The only way to avoid the end was to escape to somewhere else, up in the sky. A heaven that was perfect and sinless. A place that our human mistakes could not destroy.

When I would run childhood fevers, I would hallucinate the end so vividly that I would scream and wake my sisters.

Even when I walked away from the god that never was, I could not walk away from the end. When my doctor asked me how a teenager develops ulcers, I did not tell him the truth. I did not tell him about television reports of global warming and deforestation. I did not tell him that I had read John Wyndham and Margaret Atwood and William Golding. I did not tell him what I knew – that if the planet did not devour us, then we would surely devour ourselves.

Then I lost my mind and the doctors pondered whether it had been broken all along or whether it had collapsed under all the thoughts that I could not exorcize. They gave me the little white pill, smaller than a sunflower seed. It ate away the edges until I could be cynical, rather than terrified.

I went to protests. I beat on empty oil drums and took pictures of girls with flowers in their hair. I met a boy and smiled sometimes and imagined a future of gardens and kisses and essays and babies. I saw only beginnings and pretended it was not following me.

Some men from England drilled a hole in the ocean floor.

“This may be the one.” Said my good friend. “If they kill all the fish, we have maybe a year. It’s the beginning of the end.”

He kept driving, using one hand to sip the gift I had brought him: soda pop in a glass bottle. He seemed oddly pleased that they were so very obtuse; pretending it could not happen. Perhaps, like me, the end had followed him and it was a relief to stop running.

He was still the person I had know for a decade, but suddenly I could not breathe the air. Suddenly there were not enough little white pills in the whole world.

I was gone for a year that time, buried underneath the fallen supports I had so carefully built. I chose ignorance, until I could learn to tell the voices apart – the ones who preached hell and the ones who preached hell on earth.

I did not want to be obtuse and pretend it was not happening. I did not want to be smart and fall apart.

We have started looking up, they say on the news (even Mr. Hawking says it.) Looking for other planets. Other places to make a home. Somewhere else, up in the sky. A heaven that will be perfect and sinless. A place that our human mistakes will not destroy. We have given up on earth.

To try to save it would require us to change and we do not change.

I try to change. I do yoga. I read books with happy endings. I distract myself with friends whose questions I do not answer. How are you? What’s new?

I am afraid of the dark, I do not say. I am afraid to close my eyes. I cannot shake the ideas. I cannot sheep-count them away. I save the pill for bedtime so that I do not remember my dream-filled sleep with its earthquakes and fires and buildings falling in.

I do not read the news, though it follows me. Headlines discarded on bus seats, radios tuned and turned up loud, click-throughs on Facebook feeds. Do you want to be ignorant? I ask myself. Oh god yes, I answer.

I do not want to live in interesting times.

Originally written in 2014 for Centennial Reader, a literary magazine that ceased to exist just as this was due to be published.
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I Was Once a Dancer

by H. E. Casson

I was once a dancer
Perhaps the very best
That the world had ever seen
A cross between a spinning top
And frijoles saltarines
And if I sometimes fell
It was a part of the dance as well

I was once a dancer
Until someone told me dance
Is not just movements
Picked by chance
But a very specific
Leap or stance

That must be
Choreographed, rehearsed
Frontward, backward
Left and reversed

And suddenly
I was not the best
Nor even highly rated
So now I do not dance
In fact

I hate it

Written for, and performed as part of, Ryerson University’s Disability Studies event, Arts With Attitude.

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